Mythology

Chiara Cavallo: “Vertical Transitions”. A Jewellery Flaneur through Athens.

Photo credit: Chiara Cavallo and Christoph Ziegler (Athens).

Chiara Cavallo: Vertical Transitions. Solo show at Cine Trianon, Kodriktonos 21, Athens. 8-11 June 2017. Opening: 8 June at 8.30 p.m.

According to Wikipedia, the earliest human presence in the city of Athens starts somewhere between the 11th and 7th millennia BC.

The myth of king Kekrop, half human and half dragon, born by the virgin goddess Athena through a “surrogate mother” – Gaia (Earth) – attests that divine forces have always taken care of the city. The mythical struggle between Poseidon and Athena for the patronage of the city proves changes in religious cults and probably new clans gaining power in politics appr. 4.000 years ago. The Panathenea procession around August 15 was not just a religious celebration, but also a great allegory on the connection of textile to mortality, democracy and freedom.

Chiara Cavallo is not unknown to Athens. Her rich biography includes shows and curatorial work at the city of Pallas – one of the myriad of names attributed to Athena, the patron and name giver of the capital of modern Greece.

Athena — some interpret her name as making allusion to A-ta’-na, a female goddess worshipped in the East, others – such as Plato – tell us that it means: Theou noos: The thoughts of God; for Athena is born out of Zeus’ head.  In Christian terms, Athena could be understood as Agia Sophia – The holy wisdom of God or even The Virgin, because the Greek Madonna, the most worshipped deity in the Orthodox pantheon, took over the myriad names that were used to address her female predecedor.

Chiara Cavallo comes to Athens with a project combining jewellery to urban and cultural development. It is hard to miss the traces of Archaic, Classical, Roman, Byzantine, Osmanic, Bavarian, Art Deco, Bauhaus, Modernism periods if you look carefully at the city. Chiara will incorporate these traces into her jewellery. The mobile art medium will thus become a moving archive of the city development but also, through the choices of the wearer, a compass to the future.

It is also hard to miss in Chiara’s project the charming allusion made to the Flaneur tradition, a literary genre that flourished in Germany and Central Europe in the 20th century and refers to the rediscovery of the city by its walking “hommes (et femmes) de lettres“.

The city of Athens is a stratification of habits and populations which have left traces on the local culture and have impressed the morphology of the city.
I investigate how the city have changed throught the inteventions and how it keeps its origins without losing its authenticity“, Chiara says.

The work I developed is a result of manipulations on materials to change the appearance of the material itself. The viewer can still recognise the traces of my process’ actions. The jewelry become a container of meanings where all the variations are considered added values to the original object

We are welcoming Chiara Cavallo as our seventh Artist In Residence/One Artist A Week at Cine Trianon Athens. We started the project as a creative response to U.S. artist Rick Lowe’s call for submissions to develop even further his Athens Documenta 14 urban project “Victoria Square” aka “Social sculpture”.

Instituto Italiano di Cultura, the Cultural Bureau of the Embassy of Italy in Greece, is a Communication Supporter of the show.

Chiara Cavallo also participates in our “Initiation” team for Sieraad Jewellery Art Fair Amsterdam, 9-12 November 2017.

If you are interested in our Artist In Residence Programme/Athens 2018 or our “Initiation/Munich Jewellery Week 2018” project, please contact us: loukiarichards@gmx.de

LINKS:

http://www.chiarajewels.com

http://www.cinetrianon.gr

http://www.leaveyourcrisis.com

http://www.initiation2017.com

www-zlr-betriebsimperium.tk

„Vertical Transitions“. Η εξέλιξη του οικιστικoύ ιστού της Αθήνας με οδηγό το κόσμημα: Από τον Μύθο έως τις μέρες μας.

Chiara Cavallo: Vertical Transitions. 8-11.6.2017. Cine Trianon, Κοδριγκτώνος 21 στο ύψος της Πατησίων. Η ατομική έκθεση πραγματοποιείται με την επικοινωνιακή υποστήριξη του Ιταλικού Μορφωτικού Ινστιτούτου Αθηνών (Γραφείο Πολιτισμού της πρεσβείας της Ιταλίας στην Ελλάδα).Με την επικοινωνιακή υποστήριξη του Ιταλικού Μορφωτικού Ινστιτούτου Αθηνών

Εχει ενδιαφέρον για το σύγχρονο Αθηναίο ο τρόπος με τον οποίο η κάτοικος μίας πανάρχαιας πόλης, της Ρώμης, βλέπει τις πέντε χιλιετίες ύπαρξης της πόλης της Αθήνας ως μία ολότητα εν εξελίξει και μεταγλωττίζει τις παρατηρήσεις της σε ένα εικαστικό μέσο – φορέσιμο και κινητό – όπως το κόσμημα.
Φορώντας το, η Κιάρα Καβάλο (Chiara Cavalo) γεννημένη στην πόλη που συνέδεσε στενά την ιστορική και πολιτιστική της μοίρα με την Αθήνα, περιπλάται στα ίχνη του μύθου, της απαρχής του πολιτισμού και της εξέλιξης του οικιστικού ιστού της τρίτης πρωτεύουσας του σύγχρονου ελληνικού κράτους.

Την κεντροευρωπαϊκή λογοτεχνική παράδοση των φλανέρ (flaneur) του 20ου αιώνα – των περιηγητών των μητροπόλεων – ανασύρει επίσης από την μνήμη μας η Ιταλίδα εικαστικός κι επιμελήτρια που έρχεται στην Αθήνα φιλοξενούμενη του προγράμματος Artist In Residence του ιστορικού κινηματογράφου της Πατησίων Τριανόν και παρουσιάζει την ατομική της έκθεση „Vertical Transitions“ (Κάθετες μεταβάσεις) στο φουαγιέ του.

Ιχνη, μοτίβα και δοξασίες – προϊστορικά, γεωμετρικά, αρχαϊκά, κλασσικά, ρωμαϊκά, βυζαντινά, αρβανίτικα, φράγκικα, οθωμανικά, βαυαρικά και πόσα άλλα – δεν θα δυσκολευτεί να βρει ο παρατηρητικός επισκέπτης στη σύγχρονη μεγαλούπολη. „Η πόλη της Αθήνας είναι μία διαστρωμάτωση συνηθειών και πληθυσμών που άφησαν ίχνη κι επέδρασαν καταλυτικά πάνω στη μορφολογία της πόλης“, λέει η Καβάλο.

Το ιδιαίτερα ενδιαφέρον στοιχείο στη δουλειά της Καβάλο είναι ότι επιλέγει να ενσωματώσει τις παρατηρήσεις της σε ένα μέσο που κινείται: Το κόσμημα (μαζί με το σώμα αυτού που το φορά) αποτελεί ταυτόχρονα αρχειακό υλικό και πυξίδα προς το μέλλον. Ο τρόπος κατασκευής του μέσω τεχνικών κοπής λαίηζερ αναπαριστά τη διαστρωμάτωση.
„Ο θεατής μπορεί να αναγνωρίσει τα ίχνη της διαδικασίας που ακολουθώ, Το κόσμημα μετατρέπεται σε ένα υποδοχέα νοημάτων, όπου όλες οι μεταβολές πάνω του δίνουν προστιθέμενη αξία στο αρχικό αντικέιμενο“, προσθέτει.

Η Καβάλο είναι η έβδομη „Artist In Residence“ που φιλοξενείται στο Τριανόν από την αρχή του έτους. Ο διατηρητέος κινηματογράφος ανταποκρίθηκε στο κάλεσμα του Αμερικανού εικαστικού Rick Lowe προς φορείς και κατοίκους της περιοχής, να συμμετάσχουν στο εν εξελίξει έργο του “Victoria Square Project” για τη Athens Dokumenta 14. Τις εκθέσεις των φιλοξενούμενων εικαστικών επιμελούνται οι ZLR Betriebsimperium Hamburg (Christoph Ziegler + Loukia Richards).

Η Κιάρα Καβάλο σπούδασε design και κόσμημα στην Ιταλία και την Αγγλία και υπήρξε – μεταξύ άλλων – μαθήτρια του περίφημου Ruudt Peters στην Alchimia: Contemporary Jewellery School της Φλωρεντίας. Εχει παρουσιάσει τη δουλειά της σε εκθέσεις στην Ιταλία, την Ισπανία, την Ολλανδία, τη Ρουμανία, την Ελλάδα, ενώ εργάζεται και ως επιμελήτρια.

Η έκθεση „Vertical Transitions“ εγκαινιάζεται την Πέμπτη 8 Ιουνίου Μαϊου στις 8.30 μμ. 
Είσοδος ελεύθερη.

Τηλέφωνο επικοινωνίας: 210 82 15 469
e-mail: myths2015@zoho.com

LINKS:

http://www.cinetrianon.gr
http://www.chiarajewels.com
http://www.zlr-betriebsimperium.tk
Facebook: Mythen/Myths
Twitter: @LoukiaRichards

 

What makes SCHMUCKWOCHE MÜNCHEN so special?

Photo: “Shopping mall” at Galerie der Künstler, Munich. Credit: Christoph Ziegler.

Here is a list of reasons.

  1. You meet old friends. You make new friends. You meet so many people with the same passion: Jewellery. You get feedback.
  2. MJW has a strickt structure AND gives you a lot of freedom to improvise or add your own contribution. That makes a great mixture!
  3. Innovation is written on Bavarian culture + business sector DNA. This is the city to see, meet, follow avant garde art.
  4. MJW feels like a 4 days long urban party. You get high and there is no side effects or a day after!
  5. You mentor for free, you get mentored for free (always ask questions!).
  6. You meet jewellery art’s “legendary monsters” (and they do not bite!).
  7. You exchange/trade/swap insider information.
  8. You brainstorm for hours over a glas of beer planning new ventures, discussing new impulses, forging new alliances.
  9. You get so many offers and tips to develop your business or enter new territories.
  10.  Munich is one of the major art cities of Europe: Alte Pinakothek, Villa Stuck, Pinakothek der Moderne, Glyptothek – just to mention a few addresses of world class significance. It is the ideal environment for artists, art critics, art dealers and art lovers.

SCHMUCK, Munich Jewellery Week and Business Week, Munich Creative Business Week: there are various facets of the big March event for the city of Munich. Behind the above mentioned institutions you find long term passion, planning, expertise, commitment and vision. There are many “art or jewellery weeks” around the world, but it is not the same. However their organizers can certainly profit from the experience of MJW; never forget: Rome was not build in a day!

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After Myths 2015 and Test Drive 2016, Initiation 2017 was our third participation in MJW. We will be back with a new project next year, for we hate standardisation and would be bored to death if we had to repeat the same patterns of success!

LINKS:

http://www.initiation2017.com

http://www.testdrive2016.tk

http://www.myths2015.de

http://www.zlr-betriebsimperium.tk

Marietta Karamaria: Artemis means the Avenger

Photo credit: Panagiotis Skouloukas

A hunter shoots deer in a state protected reserve and his co-villagers protect him with “omerta“.

Who-dunn-it? Nobody knows…

The deer, Artemis’ sacred animal, a totemic relic from the pre-Olympian period, ignites Marietta Karamaria’s protest through a new jewellery series named: “Averting Artemis”.

“Devoted and caring as the goddess Artemis, I try to protest for all the burned forests and murdered deer in my island, by transforming my work to a means of raising my voice to defend their rights.
In my new series, I reflect upon a young “Punk Artemis” who fights for her environment and use mostly natural materials and edgy forms to create strong statements through my jewellery”.

The hubris committed is always followed by the nemesis.

http://www.initiation2017.com

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Maria Zilakou Designs + TreLiz: “Crafters, the harder you work, the luckier you get!”

Maria Zilakou Designs and her natural dyed fibers partner Lise Condis, alias TreLiz, were Supporters of our show project “Myths 2016” at Sieraad Amsterdam. It is not the first time the creative duo supports a Myths project, but this time visitors could take with them the beautiful post card we designed after their concept.

Thank You, Maria and Lise for your great support to Myths!

Maria Zilakou, a philologist and a former owner of a Foreign Language School in her native city Piraeus, gave Myths the following interview. The experienced crafter had to learn how to confront the sometimes tough reality of producing standard goods and innovative concepts for the very demanding international market. But she made it! Also her partner Lise of TreLiz has a success story to tell: She works as an independent producer of unique fiber collections she creates for international wholesale customers and global retail. Lise states: Color is my power! No more words are needed to describe the heavenly explosions of joy when you see her fibers!

Maria and Lise are role models for the crafters’ scene, for they followed their dream of turning their hobby into a creative business. They offer their clientele the high standards of fibers, colors and pattern sophistication that they were looking for before they decided that if they cannot find them, they have to make them!

Read the “juicy” interview on knitting, tradition, business plan and “marketing experts”. The latter should take, so Maria, a crash course in crafts in order to understand that this is a whole new world for them to explore before they exploit it”.

 

1.What does knitting mean to you?

When I first took up knitting at the age of 12, it was in order to create original scarves, hats and other knits that only I would wear; they were unique in the sense that I got to choose the color, the yarn and the style; they didn’t come from a big store, nor were they massively produced. This was very important to the teenager that I was, in the sense that it was a kind of ID and yes, it still is just as important. What is extraordinary about knitting is that it’s a craft deeply-rooted in tradition (knit and purl have remained the fundamentals of the knitting process for hundreds of years) which offers countless opportunities to create original patterns – I find this very intriguing. As my knitting experience is growing through the years and I get to practice more intricate techniques and create freeform patterns, (I’ll use the cliché and say that) it’s my way to express thoughts and emotions that other creators can relate to; in other words, it’s a way to reach out to them. It’s also a way to wind down in times of stress. Finally, it’s a way for me to “belong” somewhere: there are millions of knitters around the world, so that makes me part of a huge community!!!

2. Where do you get your inspiration from?

That depends. There are times I just feel the urge to find use for some wonderful skein of yarn (I buy yarn compulsively, as most knitters do, so I am overwhelmingly attracted by the color and quality of the fiber). More often it’s the other way round: I choose the yarn in order to create a motif, usually inspired by the Greek traditional patterns used in embroidery and weaving. The knitting tradition in Greece doesn’t stand out as much as, say, crochet does, but socks, leg and hand warmers were the knitted parts of many a traditional Greek costume. However, there are so many amazing embroidery motifs waiting to find a new life through knitting! That’s what intrigues me: turning color work motifs into lace and openwork, which is my way to revisit tradition.

3. What makes TreLiz yarns stand out?

It is immensely important for me to work with the best yarn I can have. TreLiz, besides offering a wide range of fiber qualities to choose from -100% merino wool, cashmere, baby camel, silk blends, to name but a few- has a very distinctive approach to color, which “speaks” to my heart. It is vibrant, original, full of life – in short it is unique!

4. What would you say to someone new to knitting?

First, I would welcome them to this wonderful, creative journey. I would urge them to feel free to knit as many “awkward” scarves as they want before they go up a level or even “dive” into deep waters as soon as they feel like doing that. I do not believe in the “knitting police” who look out for mistakes and flaws in the work of others. I believe in three maxims: the joy you get from creating something out of a string of yarn, the knowledge that comes through learning from your mistakes and, last, but by no means the least, the emotions, ultimately your personality, that you put in this piece of knit. Of course, I would also urge them to go further and take classes and participate in workshops! Improvisation gives so much better results when it is based on knowledge…

5. What do you think about the Crafts market?

It seems that market strategists have developed a new-found love for crafts these days… and crafters (at least many of them) think they will get rich if they quit their day job and turn their hobby into a job. I think these marketing experts should take a crash course in crafts in order to understand that this is a whole new world for them to explore before they exploit it. Crafters should also take a look around them and remember that nothing worth having comes easily and this applies particularly to crafts. You must be willing to study a lot, make a business plan and stick to it, create an authentic brand with a consistent presence and, certainly put long hours of hard work into creating a finished item that reflects your personality. It is self-evident that you cannot get rich overnight – you should be happy if you are easily recognizable after the first 3 years. Don’t get me wrong, I don’t want to discourage anybody from taking a step into the crafts market; if you feel strongly about it, go ahead and take the plunge. But do not quit the day job that pays your bills until you have a really well-established business! And always remember: the harder you work, the luckier you get!

LINKS:

http://treliz.eu/

http://www.ravelry.com/designers/maria-zilakou

http://www.myths2016.tk

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